Alive at the End of the World
(Adobe EPUB eBook, Kindle Book, OverDrive Read)

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Published:
Coffee House Press 2022
Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
ISBN:
9781566896528
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Available from OverDrive
Description

Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.


In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.


Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what's within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate how long and how perilously we've been living on top of fault lines. As these poems seek ways to love and survive through America's existential threats, Jones ushers his readers toward the realization that the end of the world is already here—and the apocalypse is a state of being.

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Street Date:
09/13/2022
Language:
English
ASIN:
B0B5HXB8RM
Citations
APA Citation (style guide)

Saeed Jones. (2022). Alive at the End of the World. Coffee House Press.

Chicago / Turabian - Author Date Citation (style guide)

Saeed Jones. 2022. Alive At the End of the World. Coffee House Press.

Chicago / Turabian - Humanities Citation (style guide)

Saeed Jones, Alive At the End of the World. Coffee House Press, 2022.

MLA Citation (style guide)

Saeed Jones. Alive At the End of the World. Coffee House Press, 2022.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Copy Details
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Grouped Work ID:
e611298e-c953-fd39-4c7a-58db5cc347c5
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Needs Update?:
No
Date Added:
Nov 09, 2022 11:39:27
Date Updated:
Nov 09, 2022 11:39:27
Last Metadata Check:
Apr 14, 2024 12:49:55
Last Metadata Change:
Jan 01, 2024 12:30:26
Last Availability Check:
Apr 14, 2024 12:50:00
Last Availability Change:
Oct 28, 2023 17:51:16
Last Grouped Work Modification Time:
Apr 15, 2024 21:03:44

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Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.

In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.

Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what's within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate...

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Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.

In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.

Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what's within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate how long and how perilously we've been living on top of fault lines. As these poems seek ways to love and survive through America's existential threats, Jones ushers his readers toward the realization that the end of the world is already here—and the apocalypse is a state of being.

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