The fact of a doorframe: selected poems, 1950-2001
(Book)
Author:
Published:
New York : W.W. Norton, [2002].
Format:
Book
ISBN:
0393323951, 9780393323955
Status:
Description
Description not provided
Copies
Location
Call Number
Status
CMC Quigley Library
PS3535 .I233 A6 2002
On Shelf
WCU Book Stacks
PS3535.I233 A6 2002
On Shelf
Subjects
LC Subjects
More Details
Physical Desc:
xvi, 327 pages ; 21 cm
Language:
English
Notes
Bibliography
Includes bibliographical references and index.
Citations
APA Citation (style guide)
Rich, A. (2002). The fact of a doorframe: selected poems, 1950-2001. New York, W.W. Norton.
Chicago / Turabian - Author Date Citation (style guide)Rich, Adrienne, 1929-2012. 2002. The Fact of a Doorframe: Selected Poems, 1950-2001. New York, W.W. Norton.
Chicago / Turabian - Humanities Citation (style guide)Rich, Adrienne, 1929-2012, The Fact of a Doorframe: Selected Poems, 1950-2001. New York, W.W. Norton, 2002.
MLA Citation (style guide)Rich, Adrienne. The Fact of a Doorframe: Selected Poems, 1950-2001. New York, W.W. Norton, 2002.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
129cca80-53e4-cc7a-2a5c-61a4fe9956cb
Record Information
Last Sierra Extract Time | Mar 31, 2024 04:10:40 PM |
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Last File Modification Time | Mar 31, 2024 04:10:58 PM |
Last Grouped Work Modification Time | Mar 31, 2024 04:10:48 PM |
MARC Record
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050 | 0 | 0 | |a PS3535.I233|b A6 2002 |
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100 | 1 | |a Rich, Adrienne,|d 1929-2012.|0 https://id.loc.gov/authorities/names/no2010203172 | |
245 | 1 | 4 | |a The fact of a doorframe :|b selected poems, 1950-2001 /|c Adrienne Rich. |
264 | 1 | |a New York :|b W.W. Norton,|c [2002] | |
264 | 4 | |c ©2002 | |
300 | |a xvi, 327 pages ;|c 21 cm | ||
336 | |a text|b txt|2 rdacontent | ||
337 | |a unmediated|b n|2 rdamedia | ||
338 | |a volume|b nc|2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | 0 | |t Storm Warnings --|t Aunt Jennifer's Tigers --|t Boundary --|t At a Bach Concert --|t Ideal Landscape --|t Living in Sin --|t Snow Queen --|t Letter from the Land of Sinners --|t From Morning-Glory to Petersburg --|t Knight --|t Snapshots of a Daughter-in-Law --|t Antinous: The Diaries --|t Peeling Onions --|t Roofwalker --|t Prospective Immigrants Please Note --|t Necessities of Life --|t In the Woods --|t Trees --|t Like This Together --|t Night-Pieces: For a Child --|t "I Am in Danger - Sir -" --|t Mourning Picture --|t Knot --|t Focus --|t Orion --|t In the Evening --|t Demon Lover --|t Jerusalem --|t Night Watch --|t For a Russian Poet --|t Abnegation --|t Implosions --|t On Edges --|t Leaflets --|t Clouds are electric in this university --|t In Central Park we talked of our own cowardice --|t Did you think I was talking about my life? --|t Blacked-out on a wagon, part of my life cut out forever - --|t When they mow the fields, I see the world reformed --|t Last night you wrote on the wall: Revolution is poetry --|t Order of the small town on the riverbank --|t If these are letters, they will have to be misread --|t From here on, all of us will be living --|t A piece of thread ripped-out from a fierce design --|t November 1968 --|t Study of History --|t Planetarium --|t Burning of Paper Instead of Children --|t I Dream I'm the Death of Orpheus --|t Letters: March 1969 --|t Stelae --|t A Valediction Forbidding Mourning --|t from Shooting Script --|t Trying to Talk with a Man --|t When We Dead Awaken --|t From the Prison House --|t Mirror in Which Two Are Seen as One --|t Dialogue --|t Diving into the Wreck --|t Song --|t Ninth Symphony of Beethoven Understood at Last as a Sexual Message --|t Rape --|t Burning Oneself In --|t From a Survivor --|t August --|t Prisoners --|t At the Jewish New Year --|t Dien Bien Phu --|t Re-forming the Crystal --|t White Night --|t From an Old House in America --|t Fact of a Doorframe --|t Power --|t Hunger --|t Cartographies of Silence --|t Twenty-One Love Poems --|t A Woman Dead in Her Forties --|t Natural Resources --|t Integrity --|t For Memory --|t For Ethel Rosenberg --|t Grandmothers --|t Spirit of Place --|t Frame --|t For the Record --|t Virginia 1906 --|t For an Occupant --|t North American Time --|t Blue Rock --|t Look: this is January --|t Heart of cold --|t My mouth hovers --|t Dear Adrienne: I'm calling you up tonight --|t Dear Adrienne, I feel signified by pain --|t Night over the great and the little worlds --|t I came out of the hospital --|t Violence as purification --|t Lately in my dreams --|t You who think I find words for everything --|t Problem, unstated till now --|t Tobacco fields lie fallow --|t In a bald skull sits our friend --|t You know the Government must have pushed them --|t You: air-driven reft --|t Tolstoyans --|t You who think I find words for everything --|t In a Classroom --|t Novel --|t Children Playing Checkers at the Edge of the Forest --|t Desert as Garden of Paradise --|t Delta --|t Dreamwood --|t Harpers Ferry --|t A dark woman, head bent --|t Here is a map of our country --|t Late summers, early autumns --|t Catch if you can your country's moment --|t (The dream-site) --|t He thought there would be a limit --|t On this earth, in this life --|t Soledad. = f. Solitude, loneliness --|t One night on Monterey Bay --|t (Dedications) --|t That Mouth --|t Marghanita --|t Tattered Kaddish --|t Final Notations --|t What Kind of Times Are These --|t In Those Years --|t Calle Vision --|t Then or Now --|t Food Packages: 1947 --|t Innocence: 1945 --|t Sunset, December, 1993 --|t Deportations --|t And Now --|t Late Ghazal --|t comrade --|t movement --|t history --|t edgelit --|t For an Anniversary --|t Midnight Salvage --|t Char --|t Letters to a Young Poet --|t Camino Real --|t Seven Skins --|t Rusted Legacy --|t Veterans Day --|t Architeet --|t Fox --|t Fire --|t Noctilucent Clouds --|t If Your Name Is on the List --|t 1999 --|t (Driving home from Robin Blaser's reading) --|t We're not yet out of the everglades --|t Beethoven's "Appassionata" played --|t From the new crudities, from the old --|t Ends of the Earth. |
650 | 0 | |a American poetry.|0 https://id.loc.gov/authorities/subjects/sh85004382 | |
655 | 7 | |a Poetry.|2 lcgft|0 https://id.loc.gov/authorities/genreForms/gf2014026481 | |
907 | |a .b31955472 | ||
948 | |a MARCIVE Comp, in 2022.12 | ||
948 | |a MARCIVE August, 2017 | ||
948 | |a MARCIVE extract Aug 5, 2017 | ||
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