Keeper
(Book)
The poems in Keeper explore, and long for, intimacy: with nature, with others, with the unknown. They delve into purely dark spaces (the insides of birdhouses and mailboxes, caves of prehistoric paintings) and in-between places, searching out, as Paul Eluard put it, the other world inside this one, pointing to the pervasive sensuality that connects all beings, and to the fact that essential goodness and sorrow often walk hand in hand.
Notes
Jueds, K. (2013). Keeper. Pittsburgh, Pa., University of Pittsburgh Press.
Chicago / Turabian - Author Date Citation (style guide)Jueds, Kasey. 2013. Keeper. Pittsburgh, Pa., University of Pittsburgh Press.
Chicago / Turabian - Humanities Citation (style guide)Jueds, Kasey, Keeper. Pittsburgh, Pa., University of Pittsburgh Press, 2013.
MLA Citation (style guide)Jueds, Kasey. Keeper. Pittsburgh, Pa., University of Pittsburgh Press, 2013.
Record Information
Last Sierra Extract Time | Apr 14, 2024 07:27:00 PM |
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Last File Modification Time | Apr 14, 2024 07:27:15 PM |
Last Grouped Work Modification Time | Apr 14, 2024 07:27:07 PM |
MARC Record
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003 | SKY | ||
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100 | 1 | |a Jueds, Kasey.|0 https://id.loc.gov/authorities/names/no2014057114 | |
245 | 1 | 0 | |a Keeper /|c Kasey Jueds. |
264 | 1 | |a Pittsburgh, Pa. :|b University of Pittsburgh Press,|c [2013] | |
264 | 1 | |a Pittsburgh :|b University of Pittsburgh Press,|c [2013] | |
264 | 4 | |c ©2013 | |
300 | |a viii, 78 pages ;|c 22 cm. | ||
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500 | |a "Winner of the 2012 Agnes Lynch Starrett Poetry Prize"--Cover | ||
505 | 0 | 0 | |t Bat --|t To swim --|t Two owls --|t Race track, Hialeah, FL --|t Skin --|t Copper --|t Consolation --|t Girl, 9, secretly snips a lock of another student's hair --|t Girl with pigeons --|t Girl in the backseat, Wisconsin winter --|t Entering the bath --|t Stratus clouds form --|t Mackerel sky --|t Lost things --|t Translation --|t Butterflies at Santa Cruz --|t No letters --|t Mission District, San Francisco --|t His letter --|t Sassafras --|t Gift --|t December underneath --|t Foxgloves --|t Selkie wife --|t Missing women --|t Selkie from shore --|t Wild blackberries --|t Robe --|t Fair isle --|t Secondhand dress --|t Window and field --|t Sleeping gypsy --|t Claim --|t Keeper --|t Cave painting, Font-de-Gaume --|t Deep north --|t Bottle gentian --|t A kind of vanishing --|t A field guide to North American wildflowers --|t Bluebird house --|t Rufous-sided towhee --|t Door --|t A fragment of Sappho --|t Secondhand sweater --|t Selkie returns from the sea --|t Cusp --|t Wood --|t It moves --|t Fire road --|t Underpainting |
520 | |a The poems in Keeper explore, and long for, intimacy: with nature, with others, with the unknown. They delve into purely dark spaces (the insides of birdhouses and mailboxes, caves of prehistoric paintings) and in-between places, searching out, as Paul Eluard put it, the other world inside this one, pointing to the pervasive sensuality that connects all beings, and to the fact that essential goodness and sorrow often walk hand in hand. | ||
650 | 0 | |a American poetry|y 21st century.|0 https://id.loc.gov/authorities/subjects/sh2007100768 | |
650 | 7 | |a American poetry.|2 fast|0 (OCoLC)fst00807348 | |
655 | 0 | |a American poetry|y 21st century. | |
655 | 7 | |a Poetry.|2 lcgft|0 https://id.loc.gov/authorities/genreForms/gf2014026481 | |
830 | 0 | |a Pitt poetry series.|0 https://id.loc.gov/authorities/names/n42019089 | |
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