Immersive theatres: intimacy and immediacy in contemporary performance
(Book)

Book Cover
Average Rating
Published:
Houndmills, Basingstoke, Hampshire : Palgrave Macmillan, 2013.
Format:
Book
ISBN:
9781137019844, 1137019840, 9781137019837, 1137019832
Status:
Description

Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes original interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.--Publisher website.

Also in This Series
Copies
Location
Call Number
Status
CMU Main Books 3rd Floor
PN1590.A9 M33 2013
On Shelf
More Like This
More Details
Physical Desc:
xix, 324 pages : illustrations ; 23 cm
Language:
English

Notes

Bibliography
Includes bibliographical references (pages 297-313) and index.
Description
Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes original interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.--Publisher website.
Citations
APA Citation (style guide)

Machon, J. (2013). Immersive theatres: intimacy and immediacy in contemporary performance. Houndmills, Basingstoke, Hampshire, Palgrave Macmillan.

Chicago / Turabian - Author Date Citation (style guide)

Machon, Josephine, 1979-. 2013. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Houndmills, Basingstoke, Hampshire, Palgrave Macmillan.

Chicago / Turabian - Humanities Citation (style guide)

Machon, Josephine, 1979-, Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Houndmills, Basingstoke, Hampshire, Palgrave Macmillan, 2013.

MLA Citation (style guide)

Machon, Josephine. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Houndmills, Basingstoke, Hampshire, Palgrave Macmillan, 2013.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
1517edc1-3677-056c-ae08-4b7d5a50938d
Go To GroupedWork

Record Information

Last Sierra Extract TimeMar 16, 2024 07:05:08 AM
Last File Modification TimeMar 16, 2024 07:05:28 AM
Last Grouped Work Modification TimeMar 16, 2024 07:05:14 AM

MARC Record

LEADER06786cam a2200565 i 4500
001849721989
003OCoLC
00520200629124839.0
008130913s2013    enka     b    001 0 eng d
010 |a 2012286452
015 |a GBB345939|2 bnb
0167 |a 016335191|2 Uk
019 |a 824657603|a 824657605|a 855462762|a 858012366|a 1008441381
020 |a 9781137019844|q (hardback)
020 |a 1137019840|q (hardback)
020 |a 9781137019837|q (paperback)
020 |a 1137019832|q (paperback)
035 |a (OCoLC)849721989|z (OCoLC)824657603|z (OCoLC)824657605|z (OCoLC)855462762|z (OCoLC)858012366|z (OCoLC)1008441381
040 |a NLE|b eng|e rda|c DLC|d NLE|d YDXCP|d YOU|d ZCU|d IOG|d IXA|d AU@|d OCLCO|d BDX|d ERASA|d NKM|d LML|d ORC|d OCLCF|d VLR|d CHVBK|d OCLCQ|d NYWWB|d OCLCQ|d NKT|d OCL|d IAK|d I3U|d OCLCQ|d CIA|d S3O|d CLE|d YDX|d OCLCO|d OCLCA|d OCLCQ|d LND|d OCLCA|d OCLCQ|d UKMGB|d TJC|d OCLCQ|d OCLCA
042 |a lccopycat
049 |a COMA
05000|a PN1590.A9|b M33 2013
08204|a 792.022|2 23
1001 |a Machon, Josephine,|d 1979-|0 https://id.loc.gov/authorities/names/n2006048841
24510|a Immersive theatres :|b intimacy and immediacy in contemporary performance /|c Josephine Machon.
264 1|a Houndmills, Basingstoke, Hampshire :|b Palgrave Macmillan,|c 2013.
300 |a xix, 324 pages :|b illustrations ;|c 23 cm
336 |a text|b txt|2 rdacontent
337 |a unmediated|b n|2 rdamedia
338 |a volume|b nc|2 rdacarrier
504 |a Includes bibliographical references (pages 297-313) and index.
5050 |a Contributing artists and referenced work. Michael Morris (Joint Artistic Director of Artangel) : H.G., The missing voice (Case study B) ; Felix Barrett (Founder and Artistic Director of Punchdrunk) : Masque of the red death, The crash of the Elysium ; Bruce Gladwin (Artistic Director of Back to Back Theatre) : Soft, Small metal objects ; Christer Lundahl and Martina Seitl (Founders and Artistic Directors of Lundahl & Seitl) : Symphony of a missing room, Rotating in a room of moving images ; Silvia Mercuriali : Etiquette, And the birds fell from the sky ; Tassos Stevens (Co-founder and Co-director of Coney) : The gold-bug, A small town anywhere ; Samantha Holdsworth (Co-founder and Co-artistic Director of Nimble Fish) : The container, Re:bourne ; Punchdrunk Enrichment led by Pete Higgin (Enrichment Director) : Under the eiderdown, The uncommercial traveller ; Louise Ann Wilson : House, Fissure ; Bill Mitchell (Artistic Director) and Sue Hill (Associate Director of WildWorks) : Souterrain, The passion ; Adrian Howells : Foot Washing for the Sole, The Pleasure of Being : Washing, Feeding, Holding ; Tristan Sharps (Founder and Artistic Director of dreamthinkspeak) : Before I Sleep, The Rest Is Silence.
5058 |a Introduction. Immersive Theatre ; An immersive inheritance : Modernism, Antonin Artaud and 'total theatres', Happenings and Environmental Theatre, Installation and intimacy, Immersive technologies, sensual technologies, Intimacy, involvement and communitas ; Immersive theatres : immediacy and intimacy today ; Immersion and interaction ; Presence as praesence ; The structure of Part One and Part Two -- Part 1. Defining Immersive Theatres. 1. Definitions and Details : Definitions ; Defining immersiveness, immersion, immersivity : Immersion, involvement and presence : Gaming Theory, Immersion, involvement and praesence : defining immersive theatre ; Gauging an immersive event.
5058 |a 2. Features and Finer Details: A Scale of Immersivity. Central features of immersive practice ... ; ... Audience involvement, audience evolvement ; ... Sensual worlds: immediacy, intimacy and sensuality ; ... Space, place and praesence: site-inspired practice ; ... Immersive worlds: immersive environments and the environment ; The scale of immersivity ; 3. Immersive Perspectives. Immersive perspectives: feeling, form and function ; Immersive practice and experiential form: (syn)aesthetics ; Immersive perspectives: making-sense/sense-making ; Gilles Deleuze: ìmmanence' and the ludic logic of sense ; Kathryn Linn Geurts: embodied feeling, embodied knowing: S̀eselelame' ; Immersive perspectives: the pleasures of the audience ; Umberto Eco and open works ; Jacques Ranciere's èmancipated spectator' ; Nicolas Bourriaud and relational aesthetics ; Immersive perspectives: the significance of space ; Juhani Pallasmaa: the sensuality of space ; Doreen Massey: the politics of space and place ; Gaston Bachelard: the poetics of space ; Immersive theatres: audience, space, duration, sensation.
5058 |a Part 2. Immersion, Intimacy and Immediacy in Practice. Introduction ; Conversations one. Michael Morris of Artangel : Immersive theatres : intimacy, immediacy, transformation ; Felix Barrett of Punchdrunk : Immersive theatres : intimacy, immediacy, imagination ; Conversations two. Bruce Gladwin of Back To Back Theatre : The intimate (im)mediacy of sound ; Lundahl & Seitl : Challenging the (im)mediate interface ; Silvia Mercuriali : Immersive imaginations : the intimate and (im)mediate ; Conversations three. Tassos Stevens of Coney : Playing with(in) the 'what is' and 'what if' ; Samantha Holdsworth of Nimble Fish : Immersivity and cultural production : 'permission to play' ; Punchdrunk Enrichment : Immersion, enrichment and empowerment.
5058 |a Conversations four. Louise Ann Wilson : Immersed in the environment : 'off the beaten track' ; Bill Mitchell and Sue Hill of WildWorks : Immersive communitas : space, place and people ; Conversations five. Adrian Howells : The epic in the intimate ; Tristan Sharps of dreamthinkspeak : The intimate in the epic -- Conclusion : Immersive Theatres.
520 |a Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes original interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.--Publisher website.
650 0|a Performing arts|x Audiences.|0 https://id.loc.gov/authorities/subjects/sh85099819
650 0|a Participatory theater.|0 https://id.loc.gov/authorities/subjects/sh94004156
650 7|a Participatory theater.|2 fast|0 (OCoLC)fst01054039
650 7|a Performing arts|x Audiences.|2 fast|0 (OCoLC)fst01057889
907 |a .b61387587
948 |a MARCIVE Overnight, in 2023.02
948 |a MARCIVE Overnight, 06/2020
989 |1 .i130735334|b 1080006418282|d culmb|g -|m |h 0|x 0|t 0|i 0|j 18|k 200629|o -|a PN1590.A9|r M33 2013
994 |a C0|b COM
995 |a Loaded with m2btab.ltiac in 2023.02
995 |a Loaded with m2btab.ltiac in 2020.07
995 |a Loaded with m2btab.b in 2020.07
998 |e -|f eng|a cu